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Helia Chitsazan-Visual Artist

Helia Chitsazan is a visual artist born in Tehran, Iran in 1995. She graduated from Tehran University of Art in 2019. She is currently enrolled in the MFA Fine Arts program at the School of Visual Arts. Her works Includes painting and installation.  

Education 

2016 - 2020

BFA, Painting, Tehran University of Art

2021 - 2023

MFA, Fine Arts, School of visual arts

Exhibitions 

2023

2022

True Alchemy, Thierry Goldberg Gallery, NewYork, New York

Revealing the beauty within, Villageone art gallery, NewYork, New York

2021

Cocoon, New collectors Gallery, New York, New York

2019

Damoonfar Painting Festival, Mellat Gallery, Tehran, Iran

2018

Jokal Painting Festival, Mellat Gallery, Tehran, Iran

Artist Statement

When I was a kid, we drove to the Tehran International Airport with the whole family to drop off my uncle. When he was leaving, He said I would be back soon. It was a lie. He emigrated to Canada and didn't come back for ten years. The emigration of my beloved brother followed this. And now I'm the one who left everything back at home. This constant ambiguous feeling of absence and loss was not specific to me, as losing loved ones has become the norm in my country due to immigration and the threats of war. I chose art, particularly painting, to overcome this lost part of me to find something that stays with me.

 

To me, art is a language to hold emotions and complications I experienced growing up in Iran's specific cultural and social circumstances.  I try to make a world. This world is somewhere between reality and imagination in which time doesn't pass; everything will last forever.  

 

I am interested in human expression and body language. I find it the most powerful and honest reflection of the inner states of the human condition. 

Growing up in a society with different levels of verbal oppression has made me interested in communicating and expressing myself through various other ways but not talking and art is one of them. 

I am also interested in the remnants of people, spaces, shadows, and walls because they can carry personal history.   

With these materials in my hands I try to narrate stories and dilemmas of the life of a woman with specific challenges.   

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